Columns

October 13, 2012
 

The Ferret Rants: Metal Maidens

More articles by »
Written by: Thomas Bawden
Tags: ,
ferret3

As an additional activity, I’ve long since been helping to administrate a symphonic metal group on facebook, so believe me when I say that every time another god damn ‘Nightwish’ clone rears their head, I hear about. Did you catch the Finnish ‘Katra‘? No? Well they sucked. How about ‘HB‘? Christ-pushing suckage. Did you hear about how Nightwish’s crappy singer left only to be replaced by a vocalist for a different, less popular shitty band (which, ironically, she joined after leaving one which wasn’t that bad; where these guys covered Maiden, her new band covered Lady Gaga. Kinda says it all, doesn’t it?). No? Good. It probably means your a fan of actual metal, and not one of those people who claim to love the genre then turn their nose at anything fronted by a man. Even the male backing vocals in ‘Nightwish’ seems to be enough to turn off some.

Given that most such artists these days just play basic rock music with some keyboard synths (having dropped all gothic and metal elements), it’s impressive that people seem to get so obsessed with them. I once met a guy who did an entire tour of Europe, not to see the sights, but to watch ‘Within Temptation’ every god damn night. There is a forum I know of that removes the likes of ‘Alas’ for not resembling the framework close enough (playing a progressive form of the style that y’know, didn’t suck). It’s fascinating to study, as I can think of no equivalent niche genre that obsesses so much about the novelty of an attractive woman, save perhaps pop music. When was the last time you heard of a punk band getting famous by flaunting some woman’s cleavage (I mean actual punk, not Paramore’s pop-punk)? It doesn’t happen, and I find the practice rather deplorable; artists garnering recognition by parading around a pair of tits rather than on their musical merits.

I don’t begrudge the bands themselves for this. Certainly I wish them to do well, and sex does indeed sell, even though it seems like this should be the last place where it matters. How many are familiar with the Japanese band ‘Sigh?’ The cover model, vocalist and sax player Dr. Mikannibal often steals much of the limelight, but when in their two decade career did she join the band? 2007. Just in time for a tribute EP they did for Venom. It was only with their 2010 release, “Hangmans Hymn”, that she became an official member. Yet she’s already been in so many photo shoots, you’d have thought it her brainchild. Chthonic’s ‘Doris Yeh’ falls much into the same trap, being the centre of attention despite playing the bass, and I don’t mean to diminish her contributions here (I may well be wrong), but the bassist doesn’t typically have the greatest of influence on a bands material.

Perhaps even more depressing is the fact that metal fans seem so starved of feminine presence, that they fawn over those that aren’t anything particularly special; Cristina Scabbia (Lacuna Coil) might admittedly look pretty good for her age, but for a legion of up and coming fans, she’s old enough to be their mother! Slap her in a rock band and nobody would care, but call them ‘metal’ and suddenly she’s the world’s hottest. Clutching at straws, mediocrity suddenly becomes majestic when there are so few apparent options to choose from; the horny male fan base crying out in desperation, which can ironically only deter more women from admitting their musical preference in public.

Now lets look at the flip side; ‘Aliases’ made waves amongst some circles for having the guitarist from Sikth on board, but did you know that on the guitar opposite him is a woman called Leah? What about Runhild Gammelsæter (Thorr’s Hammer, Khlyst) – when was the last time you heard of her doing a solo photoshoot? Or Sfinx (Ram-Zet)? Wata (Boris)? Vivian Slaughter (Gallhammer)? Liz Buckingham may be Electric Wizard’s current guitarist, but nobody attributes their success to the fact they flaunt a pretty woman on stage. You can be both attractive and a member of successful band without fans demanding scantily clad photos, noting a physical attraction and then judging them objectively on their ability to create music, which is of course the whole point.

This is a call to all metal fans: fucking stop it. Stop acting like dogs in heat, humping the leg of anything with a pair of tits. Stop caring about how tight their top is. Stop being so surprised when an actual woman admits to liking metal that you scare her away, and for the love of god if you only listen to ‘Nightwish’ clones, just admit that you’re really just a lonely old man who can’t handle actual metal. It’s ok, there’s nothing wrong with being a rock fan, just stop lying to yourself. You don’t judge a painting by how it sounds when you shit on it, so stop caring about what musicians look like, because only then will they stop parading women around like pop princesses, undermining an artist’s actual abilities. I don’t care if you look like a sewer troll, if you can actually play your instrument, I’ll think you’re far more awesome than the prettiest dumb blonde trophy. We’re surely capable of that aren’t we?



About the Author

Thomas Bawden
Alias: Rostheferret
Position: Reviewer, Ranter, Reluctant Co-Editor
Age: 24
Location: London, England
Genre Preferences: Progressive, Avant-Garde, Experimental, Technical, Djent, Trad, Black

Favourite Artists: Adagio, Anthem, Baroness, Chthonic, Death Angel, Decadence, Fjoergyn, Gargoyle (Jpn), Haken, Kalevala, Leprous, Lucifugum, Pin-Up Went Down, Plus-Tech Squeeze Box, Project Hate MCMXCIX, Redemption, Sigh, Sikth, Tesseract, Thy Catafalque, Von Hertzen Brothers, Zigoku Quartet

Having held an internet presence using this alias for over a decade now, odds are if you've come across the name in the past it was myself. As for my musical history I suppose it's appropriate to say I arrived on my obsession backwards, for years holding little more than disdain and derision for a genre so seemingly obsessed with pointless brutality over composition; the likes of Deftones, Korn and Slipknot that serves as an introduction for so many flooding my musical palette, deterring my interests and yielding my only interpretation of what the genre involved. Ironically, it was Cannibal Corpse's “Vile” that first corrected me; played at high volume at a youth club by an elder metal fan angrily pushing the bleeding ears of the Green Day fans away from the stereo. I left that day clutching borrowed copies of Children of Bodom's “Hatebreeder,” the aforementioned Cannibal Corpse album, Metallica's “Cunning Stunts” on VHS and a whole new musical interest.

Arriving at a number of forums, I soaked up knowledge like a sponge, progressing through the stages of opinionated idiot to an arrogant elitist on a crusade before finally calming down, chronicling the last four years of my journey of discovery with self-published reviews. In the decade since my initial discovery, my tastes have mellowed and expanded to encompass most of the metal genre and beyond, constantly in search of something new and exciting, always seeking to expand my own musical knowledge. Black Metal with a Didgeridoo? Death Metal Disco? Trance Metal? Sign me up. I also have a strange obsession regarding the music of Asia, but I can't explain that one.

I have long since devoted far too much of my time writing - much to the amusement of my family who note the science-obsessed child now does far more writing than the English Lit. student - and have been self-publishing reviews since 2008; archives of music reviews can be found here and Film can be found here, though since joining Axis both have largely become defunct. I'm a keen globetrotter and, too, document my travels here, on an old blog originally designed to publish a novel that was abandoned due to time constraints.