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October 18, 2012
 

The Wife Rants Back: Metal Maidens

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Written by: Thomas Bawden
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WifeRants (1)

Let’s just face the facts – sex sells. Whatever genre of music, an attractive woman flaunting about showing some cleavage is going to get attention. So why not take advantage of your bass player or vocalist who happens to be female in the world of rock and metal? Genres which consist of 90% decent bands (everyone to their opinion) are male dominated, so the moment they hear about a band with a female singer, they want to see them. Females in a male dominant genre are going to get all sorts of attention, and more than likely, more press dependent on how good the band is or how pretty the singer is, but more press isn’t always good press. A lot of bands are overtaken by the fact there is a female in it – for example Sonic Syndicate and their female bass player Karin (right). The band themselves aren’t the best on the planet but Karin gets the attention because she is in fact female, attractive, and not afraid to show some flesh. With all that attention, she becomes the reason why people watch their music videos or look them up online, so in a way it is a bonus. It’s a physical thing; no one really talks about her bass playing skills, but more than often, how ‘hot’ she looks. Marta Peterson from Bleeding Through is another example. If you’ve never heard of the band, you will probably of heard or seen her in ‘hottest chicks in metal’ or whatever it is called, as she is normally on that list somewhere. She is the keyboardist, so she shy’s away a bit rather than flaunting about on stage. But as soon as the chance for a photo shoot comes along, she is right there, front of the row.

Marta Peterson – Bleeding Through

Maria Brink, vocalist for In This Moment – one of my favourites – is also used as an advertisement for the band. The blonde hair, skimpy outfits and massive tits don’t go amiss and really supports this statement. The band’s music has changed over the years, but she hasn’t. She is still there in their videos either frolicking along the beach, dressed as a schoolgirl in a church, or generally being sexualized with the outfits she wears along with photo shoots and press. Singers in a band will most likely always get more attention than the rest of the band, but being a female in a male dominant world will get you five times the attention. Men are visual creatures (apart from those out there who actually listen to the music, the lyrics, and the technique rather than stare at a bare midriff or pair of legs) and therefore, in the music industry and especially in this day and age, woman are going to be sexualized. Women want to be like the sexy perfected musician and men want to look at her and be with her.

Maria Brink – In This Moment

Hayley Williams from Paramore had a mishap where a photograph of her boobs was ‘accidentally’ leaked on her Twitter account. She was apparently ‘hacked’, but there is an on-going argument that she did it more so for the attention, so that more people would find out about her and consequentially, about her band. Two members of her band had recently left because of her as well. She was the only female in the band and garnered a lot of attention, and being named the ‘hottest women in rock’ a fair few times  clearly got to her head, letting her ego inflate so much that she was losing fans. It got to the point that it was only her with what seemed to be a band backing her. But enough about her – it just goes to show that in any genre of music, it is becoming clear that the band’s image is more important than the musical content. I’ve seen a lot of bands who used to be good – before many people knew them – and have gone more mainstream, and the members themselves have changed along with their music. It’s all due to the audience and what they want to see. It’s just a shame so many bands out there have lost all originality due to image and are more concerned with how they look, rather than what they sound like.

Hayley Williams – Paramore

People will disagree but people need to get over the fact there is a woman singing in front of you and not what she looks like when naked. There are still a few bands out there that really aren’t concerned what people think and are not there to just use their female singer to get attention (e.g. Flyleaf), as they are there to make music – this is the way it should be. I go to a lot of metal gigs and as a female, it’s almost as if I don’t belong there. You’ll always get the attention being female at a gig or festival, as it really is just a sausage fest and people expect it to be all males. But as soon as a group of girls show up, all eyes are on them. Men, please get over the fact there are some people in the room that don’t have a penis and just enjoy the music. It helps that the singer is ridiculously hot, but at least try to enjoy watching them live as a band and not just hoping that she will bend over so you can get a glimpse of boobs. Boobs will always sell, but it’s not what the genres are about – it does help, but please just shut up and enjoy.

- Emily Simmons



About the Author

Thomas Bawden
Alias: Rostheferret
Position: Reviewer, Ranter, Reluctant Co-Editor
Age: 24
Location: London, England
Genre Preferences: Progressive, Avant-Garde, Experimental, Technical, Djent, Trad, Black

Favourite Artists: Adagio, Anthem, Baroness, Chthonic, Death Angel, Decadence, Fjoergyn, Gargoyle (Jpn), Haken, Kalevala, Leprous, Lucifugum, Pin-Up Went Down, Plus-Tech Squeeze Box, Project Hate MCMXCIX, Redemption, Sigh, Sikth, Tesseract, Thy Catafalque, Von Hertzen Brothers, Zigoku Quartet

Having held an internet presence using this alias for over a decade now, odds are if you've come across the name in the past it was myself. As for my musical history I suppose it's appropriate to say I arrived on my obsession backwards, for years holding little more than disdain and derision for a genre so seemingly obsessed with pointless brutality over composition; the likes of Deftones, Korn and Slipknot that serves as an introduction for so many flooding my musical palette, deterring my interests and yielding my only interpretation of what the genre involved. Ironically, it was Cannibal Corpse's “Vile” that first corrected me; played at high volume at a youth club by an elder metal fan angrily pushing the bleeding ears of the Green Day fans away from the stereo. I left that day clutching borrowed copies of Children of Bodom's “Hatebreeder,” the aforementioned Cannibal Corpse album, Metallica's “Cunning Stunts” on VHS and a whole new musical interest.

Arriving at a number of forums, I soaked up knowledge like a sponge, progressing through the stages of opinionated idiot to an arrogant elitist on a crusade before finally calming down, chronicling the last four years of my journey of discovery with self-published reviews. In the decade since my initial discovery, my tastes have mellowed and expanded to encompass most of the metal genre and beyond, constantly in search of something new and exciting, always seeking to expand my own musical knowledge. Black Metal with a Didgeridoo? Death Metal Disco? Trance Metal? Sign me up. I also have a strange obsession regarding the music of Asia, but I can't explain that one.

I have long since devoted far too much of my time writing - much to the amusement of my family who note the science-obsessed child now does far more writing than the English Lit. student - and have been self-publishing reviews since 2008; archives of music reviews can be found here and Film can be found here, though since joining Axis both have largely become defunct. I'm a keen globetrotter and, too, document my travels here, on an old blog originally designed to publish a novel that was abandoned due to time constraints.