Author Archive
 

Is he stuck? Should... should I help him?
0
comments
Music

Kalmah – Seventh Swamphony – Review

Posted May 16, 2013 by Alex Gallant

Melodic death metal is just one of those genres for me. I don’t listen to a lot of it. Not out of any strong dislike for it, but because I get what I want from it from so relatively few albums out of the incredibly overcrowded field of players. Give me a handful of early [...]

Full Story »

That room looks poorly ventilated, they should install an exhaust fan
0
comments
Music

Purson – The Circle and the Blue Door – Review

Posted May 7, 2013 by Alex Gallant

A lot of people take every part of the old Mayhem slogan very seriously – no fun, no core, no mosh, no trends. Not me, though. I love fun. And I love me a trend, too. So many bands jump in on a trend that it’s almost impossible you’re not going to get at least [...]

Full Story »

That is the second least tasty carrot I've ever seen
Music

Across Tundras/Lark’s Tongue – Split – Review

Posted April 7, 2013 by Alex Gallant

I can never really decide how I want to approach splits. Do I look at it the way I experience it, as a single EP with an often marked change in quality and style roughly halfway through the run time? Do I separate it by the bands and look at it as two very short, [...]

Full Story »

Look how big that ape. He big.
Music

Kongh – Sole Creation – Review

Posted March 23, 2013 by Alex Gallant

Sweden has its fair share of big representation in most subgenres of heavy metal, but aside from Cult of Luna, sludge metal is a genre for which Swedish bands have traditionally not seen the accolades of their fellow countrymen. I don’t know nearly enough about Sweden to hypothesize why bands of that stripe tend to [...]

Full Story »

I think that one in the middle is looking at me...
Music

Riverside – Shrine of New Generation Slaves – Review

Posted February 18, 2013 by Alex Gallant

There seems to be a bit of a trend among a lot of the mid-to-big progressive metal bands over the last couple of years to give themselves over mostly, or completely, to a retro prog/rock sound with varying degrees of success. Opeth infamously did so with Heritage, opting for a jazzy, prog sound. Pain of [...]

Full Story »